FINALIST @ The Kennedy Art Prize 2023
90 x 60cm Acrylic on glass, textile background
My painting of ‘Adwoa’ (Mondays child) uses the reverse side of glass as the canvas, adding texture and depth to the image. Multiple layers of acrylic paint, along with scraping techniques, reveal hidden shapes and textures, inviting viewers to explore the intricate details. Through the clear glass we see Ghanaian cloth. The colours of the cloth each hold symbolism: gold = status/serenity, yellow = fertility, green = renewal, red = passion, black = union with ancestors/spiritual awareness.
Finalist @ The Blacktown Art Prize 2024
Acrylic on Glass with fabric background
90 x 60cm
Finalist in The Burwood Art Prize 2024
Acrylic on Glass
70 x 50cm
FINALIST @ Whitewall Art Prize 2023
Acrylic on Glass 90cm x 60cm
This artwork portrays a young man seated amidst the solitude of an alley, positioned between two recycling bins. Instead of pleading for monetary assistance with a sign, he holds a recycling symbol, a symbol society is very used to seeing in terms of converting waste materials into new materials and objects. The symbolism in this case represent the fundamental pillars of re-housing, re-educating, and re-integrating. This would allow him to show his true potential with our community.
Homelessness encompasses more than simply lacking a physical residence; it often stems from a complex interplay of factors that necessitate a holistic approach. By addressing these underlying issues and providing individuals with opportunities for personal and professional growth, reintegration programs strive to empower and break the cycle of homelessness. This artwork sheds light on the transformative potential of such initiatives, recognizing the importance of fostering stability and self-sufficiency in individuals’ lives.
One of the unique aspects of this artwork is the use of the reverse side of glass as the canvas. This unconventional approach adds an additional layer of texture and intrigue to the artwork, creating a sense of depth and reflection that draws the viewers in. The use of multiple layers of acrylic paint, along with the delicate scratching away of paint with a knife and wire brush, reveals hidden shapes and textures that contribute to the overall composition. This intricate process adds depth and complexity to the artwork, inviting viewers to explore the nuances and details that lie beneath the surface.
Through this piece, I aim to provoke contemplation and dialogue about the challenges faced by homeless individuals and the importance of comprehensive support systems that go beyond immediate assistance. It is my hope that viewers will reflect upon the possibilities of re-housing, re-educating, and re-integrating as essential components in the journey towards empowering and rebuilding lives affected by homelessness.
Finalist @ SOHO Gallery Art Prize 2024
“Last days of Summer: A time to reflect” is an evocative artwork that invites viewers to immerse themselves in a tranquil scene capturing the essence of the Eastern Suburbs of Sydney towards the end of summer. The artwork serves as a visual ode to the beauty of the harbour, with its calm waters and serene ambiance, transporting viewers to a moment of tranquility.
One of the unique aspects of this artwork is the use of the reverse side of glass as the canvas. This unconventional approach adds an additional layer of texture and intrigue to the artwork, creating a sense of depth and reflection that draws the viewers in. The use of multiple layers of acrylic paint, along with the delicate scratching away of paint with a knife and wire brush, reveals hidden shapes and textures that contribute to the overall composition. This intricate process adds depth and complexity to the artwork, inviting viewers to explore the nuances and details that lie beneath the surface.
Acrylic on glass
90 x 60cm
Acrylic on canvas 50 x 50cm
3rd place in Pyrmont Art Prize 2022 (Tap Gallery)
FINALIST in the HALLORAN contemporary art prize 2022
Step aboard “The Vessel,” a captivating artwork that invites viewers to peer through a ship’s portal and discover an unexpected twist - an anatomical heart. This juxtaposition of a vessel representing a ship and the human body as a vessel for organs is a thought-provoking exploration of our inner world.
What makes this artwork truly unique is the technique employed - painting on the reverse side of glass. This unconventional approach adds an additional layer of depth and texture to the artwork, creating a mesmerizing sense of multidimensionality. Through multiple layers of acrylic paint, meticulously scratched away with a knife and wire brush, hidden shapes and textures are revealed, adding to the intricate composition.
As an artist, I am fascinated by the complexity and symbolism of the human body, often described as a vessel that contains our organs, emotions, and experiences. “The Vessel” reflects my curiosity and exploration of the inner self, delving into the intricate and mysterious world of the heart as the center of life and emotions.
Through this artwork, I invite viewers to embark on their own journey within, to contemplate the significance of the heart as a vessel of life, and to ponder the intricacies of our inner world. “Journey Within: Exploring the Heart as the Vessel of Life” is a testament to the power of art to provoke thought and evoke emotions, as we delve into the depths of our own existence.
Acrylic on glass (Ships portal)
45 x 45cm
FINALIST @ Georges River Art Prize 2023
My artwork, titled “Do You See What I See,” delves into the concept of perception and the environment we collectively witness through our windows. As I look out at our surroundings, I question if others perceive the same clarity as I do.
With the ongoing debates about the effects of climate change, the future is now upon us, and its impacts are evident. However, there are still members of our community who deny its existence. Climate change is undeniably influenced by human behavior, and it is crucial for people to pause and acknowledge the facts.
The artwork is created on the reverse side of the six glass panels on a window that mimics the view. I use multiple layers of acrylic paint, often scratching away blindly, revealing what lies beneath. This technique symbolizes the hidden layers of perception and the complexities of understanding our environment. It reflects how our perceptions may be obscured or distorted, just like the scratched layers of paint on the glass.
Through “Do You See What I See,” I invite viewers to question their own perceptions of the world around them. Are we truly seeing things clearly, or are our perspectives clouded by denial, ignorance, or bias? It is my hope that this artwork serves as a catalyst for self-reflection and prompts a deeper examination of our collective responsibility to confront and address the urgent realities of climate change. Let us all open our eyes and see the truth that is right in front of us.
Acrylic on glass (Reclaimed window)
86 x 86cm
Finalist in the Hunters Hill Art Prize 2024
Acrylic on perspex with fabric background
60 x 60cm
